Ethernet Orchestra Radio Feature on ZKM’s DEGEM Web Radio

Center for Art and Media (ZKM) in Karlsruhe, Germany is broadcasting a radio feature on Ethernet Orchestra through their DEGEM web radio throughout December 2011 & January 2012. The two hour program documents our performances over the last two years and contains interviews with the musicians speaking about their experiences of working with the project and the different aspects of the telematic improvisatory music making. Thanks to radio journalist Mirko Heinemann and blackhole-factory for supporting it.

Access broadcast and ZKM HERE.

The program is broadcast twice a day for a month and can be listened to a different times each day. It is scheduled within program block E.

Monday: 10am + 10pm
Tuesday: 8am + 8pm
Wednesday: 6am + 6pm
Thursday: 4am + 4pm
Friday: 2am + 2pm
Saturday: 0am and 0pm
Sunday: 6am + 6pm

The time is CET Central European Time == UTC + 1 hour

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Ethernet Orchestra US Conference and Performances


Ethernet Orchestra NYC show
- 12th November 2011, 8-9pm @ O-Town Sound.

This unique A/V performance features myself & Richard Lainhart performing in a one off live event with Yavuz Uydu (AU) and Hervé Perez (UK). Networked live cinema mixing by Graziano Milano in the online A/V interface VisitorsStudio. Remote listeners can listen and view the performance online. Venue details.

To experience audio visual performance online open the following urls in separate browser windows.

Audio http://www.ustream.tv/channel/ethernet-orchestra1
Visual http://www.visitorsstudio.org/x.html

Find your own timezone here.


Background

During my visit to New York I will be teaming up with long time ensemble collaborator Richard Lainhart and performing together live with members of the online ensemble. Despite numerous networked performances together, this will be the first time we will have met and collaborated in person. The performance will also feature networked live cinema mixing by audiovisual artist Graziano Milano in London.

The online ensemble will feature:
Sydney

Yavuz Uydu – Turkish oud & bendir

Sheffield, United Kingdom.
Hervé Perez – Laptop electronics and Soprano Sax
Web

Ethernet Orchestra A/V excerpts here.

ACM Creativity and Cognition Conference , Atlanta, Georgia, 3-6th November 2011. One of twelve internationally selected papers for presentation at the graduate student symposium and masterclass. More details.

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September Conference and Performance Tour


Starting 2nd September I will be embarking on an international conference and performance tour presenting papers on my research and performing with Ethernet Orchestra as well as selected solo performances. More info.

Tour Schedule
5th – DRHA (Digital Resources in the Humanities and Arts Conference) Ningbo, China. Paper presentation and evening performance featuring Ethernet Orchestra in collaboration with local Chinese musicians. Download program for location and times.

15th – ISEA (International Symposium for Electronic Arts) Istanbul, Turkey. Paper presentation at Sabanci University. View details of time and location.

18th – NOISEISTANBUL Arkoada, Istanbul. Solo performance of new indeterminate work traces #1 View details.

25th – Kunstmühle Gallery, Braunschweig, Germany. Ethernet Orchestra radio performance featuring Martin Slawig, Elke Utermöhlen, Yavuz Uydu (Sydney), Chris Vine (Londrina, Brazil). View details.

28th – Limbo @ Grain Barge, Bristol, UK.- Reunion of post jazz collaboration. View details. Listen Limbo music.

30th – Falmouth University (tbc). Ethernet Orchestra performance featuring Martin Slawig, Elke Utermöhlen (Braunschweig, Germany), Yavuz Uydu (Sydney), Chris Vine (Londrina, Brazil).

1st (Oct) -School of Noises Falmouth, UK. Solo performance of traces #1. View details.

Back to eartrumpet mainpage

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Autumn 2011

At Swim Two Boys score featured in 3rd International Soundscore & Music Composition Exhibition at Scenofest, Prague, Quadrennial.
I was chuffed to be asked to submit two of my compositions from the score of At Swim Two Boys for this prestigious exhibition including works by Scanner and many other notable composers. It is particularly relevant as Earthfall are currently re-staging the show for the 10th anniversary of Jamie O’Neill’s book, on which it is based.

Exhibit Information

Roger Mills score excerpts

Details on the show and UK tour

Sound Spectrum Networked Performance
Other recent activities include facilitating and participating in a network loop improvisation between students at University of Technology, Sydney and Edith Cowan University, WA for the ‘Sound Spectrum‘ festival, Perth on May 9th. This two state networked performance was broadcast to an audience at the Velvet Lounge, Perth through Internet streaming technologies Nicecast and Ustream. The two ensembles used the enveloping network latency as an acoustic tool to create two collaborative yet indeterminate soundscapes, across 4000 km of Australia.

Documentation and audio

Recordings of the performances have been mastered for a release entitled Macrology on the WAAPA net label Slow Release. Download the entire release with cover from here.

UTS – Bachelor of Sound and Music Design Networked Improvisation
This was followed by another two networked jam sessions during the first year of the Sound and Music Design degree in which I teach. Students were given the opportunity to explore extended instrumental techniques in improvisation, with online members of the Ethernet Orchestra and other international musicians. Employing the real-time platform eJamming, the focus moved away from the indeterminacy of network latency, concentrating instead on synchronous improvisatory dialogues with musicians from different cultures.

It with great sadness that Patrick Simmons referred to in last months post has passed away. Patrick was a well known and loved artist and curator, and his passing is a great loss to us all.

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Broadcast

News of recent collaborations include the submission of a drone based composition to Resound, Falmouth 201l by Patrick Simmons, who compiled a series of drone compositions for a work entitled (Un) pleasant overdrones. It was performed on the last day of the festival through roving car stereos picking up patrick’s show. Information on the festival and other collaborating artists with free download from here.

Have been getting some good feedback on the recent Furthernoise “Explorations in Sound, Vol. 4″, which is also getting some good airplay. The cover image and folding sleeve was produced by Neil Jenkins. You can download it with the new issue uploaded yesterday. Download from here.

Good news on getting a paper accepted to ISEA in September, which I am hoping to combine with a trip to the UK as well. Will be the first time I have left Australian shores since i arrived in 2008. How things have changed since then !

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Comprovisation

Comprovisation is a term for a hybrid of composition and improvisation referring to a process rather than a genre. Although it has entered the contemporary musicological lexicon, it was also a modus-operandi for composers such as Mozart, Beethoven and Chopin. What was the cadenza if it wasn’t comprovisation ?

An interesting program on this includes an interview with Robert Levin about improvisation in the cadenza on the ABC’s “Music Show”. Listen

I was listening to the secret track at the end of my album Antipodesia the other day, which is actually an improvisation I did in a beach cave at Druidstone in North Wales, UK. I realised that this nine minute improvisation contains the genesis of most of the melodic motifs on the album. Without knowing it, I had already composed the material that would be used in the lives shows before they were edited and mastered. Is this an example of comprovisation or does the improvisation have to become notated as part of a score ? Is it simply sculpting melody overtime ? Or is it the Cagian criticism of improvisation that it is only re-hashing existing known material ? If your curious you can hear the improvisation here. Listen

The caves acoustic reverb was fantastic (would make an expensive plug in), and with the sound of the surf gradually coming in on high tide, the trumpet just floats in an ether of natural cave ambiance.

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2010: The year that was

Well here we are at the end of 2010, and a reflection on the last couple of months proffers up what has become fairly typical of my life recently. Reaching into the unknown with what has now become a Ph.D, has entailed some really interesting discoveries both theoretically and creatively including:

Paper Presentations and Performances

NIME 2010++ and 5th International Conference on Multimodality.

Download Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms.

5th International Conference on Multimodality – Presentation on semiotics in networked improvisation and impromptu jam with Prof. Theo van Leeuwen during his keynote address on listening.

Presentation abstract can be found on page 66 of the conference abstracts.

Mixing, production and trumpet performances on Mircan Kaya’s new album Elixer.

Diffusion a sound and light installation in collaboration with Neil Jenkins as part of Memory Flows exhibition at Sydney Olympic park (Biennale affiliate show). See movie.

December issue of Furthernoise featuring some amazing new audio visual works from the likes of Batteries Duo and Rothkamm. Website.

More papers and performances planned for next year and looking forward to actually getting round to designing and carrying out some experimental studies for further theoretical inspiration.

As always I welcome any thoughts and ideas….

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Sonic Spring

After a hectic few months of networked performances, paper writing and assessments, I am looking forward to some southern heat, humidity and ocean swimming, as compensation for some enjoyable, if not intense times recently.

Ethernet Orchestra have one last performance for 2010, this time performed with live musicians at blackhole-factory space in Braunschwieg, Germany on Sunday 14th November 12pm Germany UTC+1 CET  / 8am Brazil UTC-3  / Sydney 10pm UTC+11  EDT. Our recent networked A/V performance for FBi radio was fantastic and can be listened / viewed HERE.

Other interesting projects included a John Kannenberg curated ‘framework afield’ program on Resonance FM featuring some hydrophonic recordings of mine from beneath Sydney Harbour. You can download the program HERE.

Furthernoise is continuing to cover some great new music and sound, and Explorations in Sound, Vol. 4  compilation is shaping up with some excellent contributions from some great international sound artists. See current net release Active Crossover II from Simon Whetham and collaborators, featuring live recordings from Estonia and Arnolfini, Bristol. Free to download from Furthernoise.org

Preparing a paper I’ve had accepted for the 5ICOM international conference on multimodality at UTS in December, which will also feature a performance by Ethernet Orchestra and then looking forward to a break.

More soon….

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eartrumpet update

In the midst of a maelstrom of lecturing, research, performances and preparing to give my paper at NIME2010 15-18th June. Download my paper Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms.

As part of the conference, I am going to be performing a networked concert with a combination of local and  remote musicians on FBi 9-10 pm AET (12pm GMT) on the Sunday (20TH) after the conference. This will also be one of the 1st recordings for a proposed Exploration in Sound release on networked improvisation in 2011.

Other events include:

Memory Flows exhibition with Neil Jenkins. A sound and light installation at Newington Armory, Olympic Park which opens 14th May.

Production and mixing of “Elixer” a New album by Mircan Kaya to be released in the European Autumn.

Furthernoise facelift and re-locate..not as painful as it sounds…hopefully. The new April issue is now online here

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microacoustic music

Interesting call by Kim Cascone asking what is microsound?

What will it sound like in 10 years time?

Is it purely music made via digital means or can it shape shift into using acoustic musical instruments?

What is the sound of microacoustic music?

You can download my submission Trumpet Involuntary here

A close mic recording of the smallest sounds from a trumpet.

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